Considering Stage Direction as Building Informed Virtual Environments

Autor/innen

  • Alain Bonardi IRCAM, UMR STMS
  • Francis Rousseaux LASC, Ecole Centrale d’Electronique

DOI:

https://doi.org/10.20385/1860-2037/6.2009.10

Schlagworte:

Artistic performance and live show, Contemporary music, Husserlian retention/protention, IRCAM, Informed Virtual Environments, Score following, Sensorial multimodality, Turning voice emotion into graphical movement, Virtual composition vs. improvisation, Visual avatar of an oral emotion

Abstract

This article begins with some recent considerations about real-time music, inspired by the latest contribution of French composer Philippe Manoury. Then, through the case study of the scenic performance La Traversée de la nuit, we analyse some perspectives for designing an Informed Virtual Environment dedicated to live show artistic domain.
Cover page of article 6.2009.10

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Veröffentlicht

2010-03-19

Ausgabe

Bd. 6 (2009)

Rubrik

VRIC 2008

Lizenz

Copyright (c) 2010 Alain Bonardi, Francis Rousseaux